A História Ilustrada do Minidisco da SONY - ep.18 - 2004: MZ-NH3D

 

Ver este post para introdução / enquadramento

Visual Guide to Sony’s MiniDisc (1992–2006)

From First Machines to Final Form

ep. 18

2004 MZ-NH3D: Hi-MD with Storage Focus

The NH3D emphasized data storage alongside audio, reinforcing Hi-MD’s dual identity as both music format and portable drive.

A História Ilustrada do Minidisco da SONY - ep.17 - 2004: MZ-NH1

 

Ver este post para introdução / enquadramento

Visual Guide to Sony’s MiniDisc (1992–2006)

From First Machines to Final Form

ep. 17

2004 MZ-NH1: Hi-MD Flagship Recorder

The NH1 introduced 1GB discs, lossless PCM recording, and full USB integration. It repositioned MiniDisc as a serious recording tool at a time when flash players dominated casual listening.

A História Ilustrada do Minidisco da SONY - ep.16 - 2003: MZ-NE8100

 

Ver este post para introdução / enquadramento

Visual Guide to Sony’s MiniDisc (1992–2006)

From First Machines to Final Form

ep. 16

2003 MZ-NE810: Everyday Essential

Lightweight and dependable, the NE810 represented MiniDisc at its most approachable. For many users, it was the format’s most practical expression.

Sony’s final reinvention of MiniDisc aimed to modernize it completely. Hi-MD increased capacity, enabled PCM recording, and allowed discs to function as USB storage. Technically, MiniDisc had never been stronger. Culturally, it had already fallen behind.

A História Ilustrada do Minidisco da SONY - ep.15 - 2003: MZ-E720

 

Ver este post para introdução / enquadramento

Visual Guide to Sony’s MiniDisc (1992–2006)

From First Machines to Final Form

ep. 15

2003 MZ-E720: Slim and Balanced Playback

The E720 refined thin playback design without sacrificing durability, avoiding the fragility of earlier ultra-slim models.

A História Ilustrada do Minidisco da SONY - ep.14 - 2002: MZ-E10

 

Ver este post para introdução / enquadramento

Visual Guide to Sony’s MiniDisc (1992–2006)

From First Machines to Final Form

ep. 14

2002 MZ-E10: The 10th Anniversary Showpiece

Built around a sub-10-millimeter design goal, the magnesium MZ-E10 celebrated MiniDisc’s tenth anniversary through extreme miniaturization. It was a design statement more than a functional leap.

A História Ilustrada do Minidisco da SONY - ep.13 - 2001: MZ-N1

 

Ver este post para introdução / enquadramento

Visual Guide to Sony’s MiniDisc (1992–2006)

From First Machines to Final Form

ep. 13

2001 MZ-N1: NetMD Begins

The MZ-N1 connected MiniDisc directly to the PC. Faster-than-real-time transfers transformed the user experience, even as one-way restrictions reflected industry fears about piracy. For the first time, software became a core part of the product.

A História Ilustrada do Minidisco da SONY - ep.12 - 2000: MZ-R900

 

Ver este post para introdução / enquadramento

Visual Guide to Sony’s MiniDisc (1992–2006)

From First Machines to Final Form

ep. 12

2000 MZ-R900: MDLP Recorder

MDLP doubled or quadrupled recording time using ATRAC3 compression. The MZ-R900 embodied this change, trading absolute sound quality for practicality and capacity.

A História Ilustrada do Minidisco da SONY - ep.11 - 1997: MZ-F40

 

Ver este post para introdução / enquadramento

Visual Guide to Sony’s MiniDisc (1992–2006)

From First Machines to Final Form

ep. 11

1997 MZ-F40: MiniDisc with Radio

Integrating AM/FM and television audio reception, the MZ-F40 explored a hybrid role for MiniDisc. It remained a unique branch in the lineup, showing Sony’s willingness to experiment even as the format stabilized.

As digital music shifted toward computers, MiniDisc adapted rather than resisted. Longer recording modes and USB connectivity extended the format’s relevance, but also introduced new constraints. Software, copy protection, and workflow became inseparable from the hardware itself.

A História Ilustrada do Minidisco da SONY - ep.10 - 1997: MZ-R50

 

Ver este post para introdução / enquadramento

Visual Guide to Sony’s MiniDisc (1992–2006)

From First Machines to Final Form

ep. 10

1997 MZ-R50: Recorder Maturity

Often seen as the point where MiniDisc fully matured, the MZ-R50 combined stable mechanics, refined ATRAC processing, and a durable metal shell. It defined the late-1990s MiniDisc recorder experience.

D-GENERATION - magazine - #2 - 2025 - tem CD oferta [119]

 

à volta de Genesis P-Orridge

D-GENERATION

Issue #2

PLUS: Exclusive Bonus CD

Ultra-Mail Prod.  Para saber mais pormenores sobre o CD, ver aqui:  https://www.discogs.com/release/35301343-Various-D-Generation-II-CD-2-August-2025

papel brilhante e a cores, pesado, de luxo, pois.

Conteúdo

Artigo Assunto Autor Página

Confessions It began in the Autumn of 1976 Dorothy Max Prior 4

Controlled Bleeding Paul Lemos interview John Wisniewski 14

Val Denham Interview Carl Abrahamsson 18

The Final Academy A report Matthew Levi Stevens 36

A Short Friendship & Collaboration Genesis P-Orridge & Mark Perry Mark Perry 48

Butler's Wharf Photos of the event Kevin Thorne 56

Einstürzende Neubauten On film in the 80's Gary Parsons 58

Invocation TOPY Chicago Mikel Boyd 66

The Story Of... Third Mind Records (part 1) Gary Levermore 76

In Conversation With... Sinan Revell Chandra Shukla 84

Farmacia Working with Monte & Val Translated by Carolina Quiroga 90

CD Credits Information Various 94

D-GENERATION | VOLUME 1 | ISSUE 2

96 PÁGINAS

Agosto de 2025

ver abaixo imagem de contracapa da sleeve do sleeve CD de oferta

mas ok, eu digito mais qualquer coisa:

ALTERNATIVE TV - Terrified of Dogs (1979). All instruments/tapes by Dave George & Mark Perry. Previously included on the 'Back To Sing For Free Again Soon' cassette compilation, released by Fuck Off Records in 1979.

ATTRITION The Alibi. Words & music - Martin Bowes, Vocals - Martin Bowes, Yvette Winkler, Joanne Wolf, Elisa Day.

ATTRITION The Pillar. Muiasc - Martin Bowes, Vocals - Elisa Day. Subway train recorded at Ossington Station, Toronto.

CONTROLLED BLEEDING Live At Brooklyn Bazaar 9-28-2016. Paul Lemos - guitars, vocals / Chvad SB - synths, programming vocals / Michael Bazini - guitars, synths, programming vocals / Michael LaRocca - drums

DEAD VOICES ON AIR: DADU We Need Our Tyrants Whole, Skinned. Martin Harvey, Mark Spybey, Stephen Weatherall, Gary Widdowfield. Recorded 2024, North Yorkshire, EU.

VAL DENHAM The Body Rubicon. Val Denham & James Hardiman.

VAL DENHAM New York. Val Denham, Dr. Vanessa Sinclair & Pete Murphy.

FARMACIA ADN (with Monte Cazazza). Ariel Sima, music, additional keyboards / production; Diego Sima lyrics / vocals; Monte Cazazza, music, background. farmacia.bandcamp.com

POST DOOM ROMANCE Invocation. Seah and Mykel Boyd © 2024 post doom romance www.postdoomromance.com

TONE GENERATOR + THE BODY WITHOUT ORGANS Chemical Straightjacket. Tone Genrator & Scott Barnes

SINAN Dai Gah - sister, Don't Leave. Original music written and produced by Robert J. Revell. Lyrics & Vocals by Sinan Revell.

WE BE ECHO Out Of Time [fisrts mix]. Words & Music: Kevin Thorne

A História Ilustrada do Minidisco da SONY - ep.9 - 1997: MZ-EP10 / MZ-EP11

 

Ver este post para introdução / enquadramento

Visual Guide to Sony’s MiniDisc (1992–2006)

From First Machines to Final Form

ep. 9

1997 MZ-EP10 / MZ-EP11: Head-Loading Design

These models replaced the traditional front-loading door with a top-loading mechanism.

A História Ilustrada do Minidisco da SONY - ep.8 - 1996: MZ-E50

 

Ver este post para introdução / enquadramento

Visual Guide to Sony’s MiniDisc (1992–2006)

From First Machines to Final Form

ep. 8

1996 MZ-E50: Slim Playback Design

With a magnesium body and reduced thickness, the MZ-E50 marked a turning point for playback-only models. The remote became the primary interface, pushing MiniDisc toward true pocket portability.

By the late 1990s, MiniDisc had found its role. It was dependable, durable, and deeply practical. Recording culture flourished, remotes became extensions of the device itself, and Sony explored alternative form factors without changing the core experience. MiniDisc was no longer trying to replace cassette or CD. It had become its own category.

A História Ilustrada do Minidisco da SONY - ep.7 - 1996: MZ-R30

 

Ver este post para introdução / enquadramento

Visual Guide to Sony’s MiniDisc (1992–2006)

From First Machines to Final Form

ep. 7

1996 MZ-R30: Control as Interface

The MZ-R30 refined the Jog Dial into a central interface. Navigation, editing, and track management became faster and more intuitive, reinforcing MiniDisc’s reputation as an editable format.