Mais Uma "Lista do FM" - "O Pós-Rock E electro Que Ficou…"

 

O pós-rock e electro que ficou…

 

Fernando Magalhães

10 de Fevereiro 2003 Às 13:16

 

Do muito que passou, das bandas de pós-rock e da electrónica não “erudita” que ouvi nos anos 90, eis aquilo que ficou e de que continuo a gostar.

* são obras-primas, algumas delas não suficientemente valorizadas quando escrevi as respectivas críticas (apenas o tempo e a distância permitem a perspectiva mais correcta).

 

+ são discos fundamentais, dentro dos respectivos géneros ou categorias musicais.

 

AMON TOBIN – Supermodified (Ninja Tune, 2000)*

BERND FRIEDMANN – Leisure Zones (Ash International, 1996)

B. FLEISCHMANN            – Pop Loops For Breakfast (Charhizma, 1999) +

                                               - A Choir of Empty Beds (Fuzzy Box, 2000)

BIOSPHERE                        – Cirque (Touch, 2000) *

                                               - Substrata 2 2XCD (Touch, 2001) +

                                               - Shenzhou (Touch, 2002)

BLECTUM FROM BLECHDOM – The Messy Jesse Fiesta (Deluxe, 2000)

BLUTSIPHON – Tammus (Gefriem, 1999)

CURD DUCA – Elevator 3 (Mille Plateaux, 2000)

DAKOTA OAK – Am Deister (Twisted Nerve, 2000)

DAT POLITICS – Villiger (a-Musik, 2000) +

DYLAN GROUP (THE)     – More Adventures in Lying Down… (Bubble Core, 1999)

                                               - Ur-Klang Search (Bubble Core, 2000)

EARDRUM – Last Light (The Leaf, 1999)

EXPLODING THUMBS – Flying Without Wings (Holistic, 1998)

EXPERIMENTAL AUDIO RESEARCH          – The Köner Experiment (Mille Plateaux, 1997)

                                                                              - Millenium Music, A Meta-Musical Portrait (Atavistic, 1997)*

FAULTLINE – Closer Colder (The Leaf, 1999)*

FENNESZ             – Plus Forty Seven Degrees 56’ 37” Minus Sixteen Degrees 51’ 08” (Touch, 1999) +

                               - Field Recordings, 1995-2002 (Touch, 2002)

FENNESZ, O’ROURKE, REHBERG – The Magic Sound of Fenn o’Berg (Mego, 1999)

FORT LAUDERDALE – Time Is Of The Essence (Memphis Industries, 2001)

FRIDGE – Ceefax (Output, 1997) +

                - Eph (Go Beat, 1999)

FUXA    – 3 Field Rotation (Ché, 1996) +

                - Very Well Organized (Ché, 1996)

                - Accretion (Mind Expansion, 1998)

F. X. RANDOMIZ – Goflex (a-Musik, 1997)*

GAS –  Pop (Mille Plateaux, 2000) +

GASTR DEL SOL                – Upgrade & Afterlife (Drag City, 1996) +

                                               - Camoufleur (Domino, 1998) +

GENERAL MAGIC – Rechenkönig (Mego, 2000)

GUSTAVO LAMAS           – Celeste (Traum, 1999)

                                               - Plural (Fragil, 2000)

HOLGER HILLER                – As Is (Mute, 1991) +

                                               - Holger Hiller (Mute, 2000)

HOLOSUD – Fijnewas Afpompen (a-Musik, 1998)*

ILPO VAISANEN – Asuma (Mego, 2001)

ISAN      – Beautronics (Tugboat, 1998) +

                - Salamander (Morr Music, 1999)

ISOTOPE 217      – The Unstable Molecule (Thrill Jockey, 1997) +

                               - Utonian Automatic (Thrill Jockey, 1999)

                               - Who Stole the I Walkman? (Thrill Jockey, 2000)

JAN JELINEK – Computer Soup (Audiosphere, 2002)

JESSAMINE – Another Fictionalized History (Histrionic, 1997)

JIM O’ROURKE – Bad Timing (Drag City, 1997)*

KLANKRIEG – Radionik (Cling Film, 1999)

KONRAD KRAFT – Alien Atmospheres (Elektro-Smog, 1996) +

KREIDLER            – Weekend (Kiff, 1996) +

                               - Appearance In The Park (Kiff, 1998)*

LABRADFORD – E Luxo So (Blast First, 2000)

L@N – L@N (a-Musik, 1996)

MOUSE ON MARS          – Vulvaland (Too Pure, 1994)

                                               - Iaora Tahiti (Too Pure, 1995)*

                                               - Autoditacker (Too Pure, 1997)

                                               - Instrumentals – Sonig, 1998)

                                               - Niun Niggung (Rough Trade, 1999) +

                                               - Idiology (Sonig, 2001)

OCSID – Opening Sweep (Ash International, 2001) +

OLIVIA TREMOR CONTROL – Black Foliage, Animation Music. Volume One (Flydaddy Inc. 1999)

ORCHESTER 33 1/3          – Orchester 33 1/3 (Plag Dich Nicht, 1997)*

                                               - Maschine Brennt (Charhizma, 1999)

PAN SONIC        – A (Blast First, 2000)*

                               - Aaltopiiri (Blast First, 2000)

PETE NAMLOOK              – Namlook VI (Fax, 1994)

                                               - Syn 2XCD (Fax, 1994) +

                                               - Namlook XI (Fax, 1996)

PETE NAMLOOK & CHARLES UZZELL EDWARDS – A New Consciousness 2 (Fax, 1994)

PETE NAMLOOK & LUDWIG REHBERG – The Putney II (Fax, 1994)

PLURAMON – Render Bandits (Mille Plateaux, 1998)

RADIAN – Rec.Extern (Thrill Jockey, 2002)

RECHENZENTRUM          – Rechenzentrum (Kitty-Yo, 2000) +

                                               - The John Peel Session (Kitty-Yo, 2001)

REZNICEK – Stube (Odd Size, 1996) +

ROME – Rome (Thrill Jockey, 1996)

SACK & BLUMM – Sack & Blumm (Tom, 1999)*

SALARYMAN     – Salaryman (City Slang, 1996)

                               - Karoshi (City Slang, 1999)

SATOR ROTAS – Sator Rotas (a-Musik, 1999)

SCHLAMMPEITZIGER – Spacerokkmountainrutschquartier (a-Musik, 1997)*

SHABOTINSKI – (B)ypass (K)ill (Charhizma, 1999)

SOUL CENTER – Soul Center (W.v.B. Enterprises, 2000) +

SPRING HEEL JACK          - Oddities (Thirsty Ear, 2000)

                                               - Disappeared (Thirsty Ear, 2000)

                                               - Masses (Thirsty Ear, 2001)

                                               - Amassed (Thirsty Ear, 2002)*

STARS OF THE LID            – Avec Laudenum (sub Rosa, 1996)

                                               - Gravitational Pull vs. The Desire for an Aquatic Life (Kranky, 1997)

                                               - The Tired Sounds of Stars of the Lid 2xCD (Kranky, 2001)

STEREOLAB – Emperor Tomato Ketchup (Elektra, 1996)

STEVE FISK – 999 Levels of Undo (Sub Pop, 2001)

SUPERSILENT – Supersilent 4 (Rune Grammofon, 1998)

TELE.FUNKEN – A Collection of Ice-Cream Vans Vol. 2 (Domino, 2000) +

THOMAS BRINKMANN – Rosa (Max Ernst, 2000) +

THOMAS KONER – Nunatak Gongamur (Barooni, 1990)

TIED + TICKLED TRIO – EA1 EA2 (Payola, 1999) +

TONE REC           - Pholcus (Sub Rosa, 1998)*

                               - Coucy-Pack (Sub Rosa, 1999)

TO ROCOCO ROT             - CD (Kitty-Yo, 1996) +

                                               - Veiculo (City Slang, 1997)*

                                               - The Amateur View (City Slang, 1999)*

TO ROCOCO ROT & I-SOUND – Music is a Hungry Ghost (City Slang, 2001) +

TORTOISE           - A Digest Compendium of the Tortoise’s World (Thrill Jockey, 1994/95) +

                               - Millions Now Living Will Never Die (City Slang, 1996)*

                               - TNT (City Slang, 1998)

                               - Standards (Thrill Jockey, 2000)

TRANS AM         - Surrender to the Night (City Slang, 1997) +

                               - Futureworld (Thrill Jockey, 1999)

                               - Red Line (Thrill Jockey, 2000)

UI                           – Lifelike (Southern, 1998)*

                               - The Iron Apple (Southern, 1999)

USER (THE) – Symphony #1 for Dot Matrix Printers (Staalplaat, 1999) +

VAINIO, VAISANEN, VEGA – Endless (Blast First, 1998)

VERT     –The Köln Konzert (Sonig, 2000)

                - Nine Types of Ambiguity (Sonig, 2001)

WORKSHOP       - Welcome back the Workshop (Captain Trip, 1990)

                               - Talent (L’Age d’Or, 1995)