Um Dia Vendo Isto Tudo

 

chinelos e tudo... são Levi's

primeiro os CDs, depois as cassetes e finalmente os vinis, mas pode não ser bem assim...

#DIJ_1

https://www.discogs.com/release/1316029-Death-In-June-Black-Angel-Live

não dou Ms

NM or M-

(7) 13€ a 25€ (sem os portes) (16.07.2026)

#DIJ_2

https://www.discogs.com/release/1696475-Death-In-June-Lesson-1-Misanthropy

não dou Ms

NM or M-

(11) 18€ a 40€ (sem os portes) (16.07.2026)

#DIJ_3

https://www.discogs.com/release/1225766-Death-In-June-The-Rule-Of-Thirds

não dou Ms

NM or M-

(5) 14€ a 20€ (sem os portes) (17.07.2026)

#DIJ_4

https://www.discogs.com/release/191070-Death-In-June-Take-Care-And-Control

não dou Ms

NM or M-

(5) 30€ a 99€ (sem os portes) (17.07.2026)

(CONTINUA... E MUITO - MAIS DE 50 DIJ POR AQUI)

 

Os Modelos de Walkman Que Definiram Cada Época - Como a Sony reinterpretou a música portátil ao longo de quase cinco décadas - EP2

 

1982: WM-DD Walkman: Mechanical Authority

By the early 1980s, portability alone wasn’t enough. The WM-DD established trust through mechanics, using a disc-drive motor derived from Sony’s professional equipment to directly control the capstan. Speed stability was enforced rather than corrected. In the hand, the player felt dense and serious, its mass reinforcing that sense of control. The Walkman stopped feeling clever and began to feel dependable.

Os Modelos de Walkman Que Definiram Cada Época - Como a Sony reinterpretou a música portátil ao longo de quase cinco décadas - EP1

 

INTRODUÇÃO

Everyone remembers the Walkman differently. For some, it was a cassette player clipped to a belt in the early 1990s. For others, it was a MiniDisc recorder filled with handwritten track titles. For a younger generation, the name meant a slim digital player plugged into a computer, waiting on software that never quite behaved. Today, it might mean a gold-plated audiophile object that looks nothing like the original idea at all. That confusion isn’t a failure of memory. It’s the point. The Walkman was never a single product, but a name Sony kept reassigning as technology, culture, and listening habits shifted underneath it.

1979: TPS-L2 Walkman: The Declaration

The first Walkman came from irritation, not strategy. Masaru Ibuka wanted a lighter way to listen while traveling, so Sony engineers stripped recording circuitry from a portable recorder and added a second headphone jack. The result was not a platform but a statement. Music no longer required a room or a stationary listener. It could exist alongside motion. Sony didn’t yet know what it had created, but it understood something irreversible had happened.