música esquisita: 2026

15.4.26

LP - Jornal de Música - nº 14

Diretor: Manuel Paraíso

ANO I

Nº 14

75$00

Semanário

2 de Fevereiro de 1989

Capa: Banda Do Casaco

Carlos Manso: rubrica Confesso... - página 9

Paulo Eno - artigo sobre Coimbra "Movida" na página 14

Banda do Casaco - Entrevistas a António Pinho e Nuno Rodrigues por Fernando Luís e Sérgio Noronha - 3 páginas, da 16 à 18

Laurent Pernice - A Metáfora dos Sentidos - artigo de Eugénio Teófilo, página 28

8.4.26

A História Ilustrada do Walkman da SONY - série Sports - ep.23- 2001: WM-FS221

2001 WM-FS221: The Last Yellow Sports Walkman

The WM-FS221 closed the original Sports Walkman era. It offered up to 32 hours of battery life, digital tuning, auto preset scanning, and expanded radio bands including TV and weather. After this, Sony dropped the industrial yellow identity and relaunched Sports Walkman in softer white forms for a different design era.

For more than 15 years, the yellow Sports Walkman held its place as one of Sony’s most recognizable looks. It began as a practical answer to rain and splashes, then stayed in the lineup long enough to become a symbol of the 1980s and early 1990s on its own.

7.4.26

A História Ilustrada do Walkman da SONY - série Sports - ep.22 - 2000: WM-FS220

2000 WM-FS220: Maximum Runtime, Minimal Ambition

The WM-FS220 pushed the Sports Walkman to its practical limit. Up to 25 hours of battery life, water resistance, digital tuning, and 30 presets defined its purpose. Logic control, a hold lock, and an adjustable action grip reinforced routine use. There were no new ideas here, just refinement before fade-out.

2.4.26

A História Ilustrada do Walkman da SONY - série Sports - ep.21 - 1998: WM-FS111

1999 WM-FS111: Endurance Over Innovation

The WM-FS111 put battery life and durability first. With up to 24 hours of playback, a gasket-sealed shell, AM/FM radio, and Mega Bass, it emphasized longevity over new ideas. Heavier and more rounded, it matched late-90s industrial design more than mechanical ambition. By this point, the category had stopped evolving.

1.4.26

LP - Jornal de Música - nº 21

Diretor: Manuel Paraíso

ANO I

Nº 21

75$00

Semanário

23 de Março de 1989

Capa: Prefab Sprout

Stranglers - 2 artigos de opinião, na página 8, de João Duarte; na página 9 de Maria João Guerreiro

M'as Foice - artigo / crítica de concerto

à; grumh... - Confesso (rubrica) - os controversos segredos de Steve Natrix - página 12

Requiem Pelos Vivos - anúncio concerto - página 25

Maria João Pires & Burhan Oçal - anúncio concerto Coliseu dos Recreios - estive lá - oferta bilhetes da Renault Portuguesa, Fábrica de Setúbal, onde trabalhava. - página 5

estive lá - Renault - Setúbal

Ficha Técnica

27.3.26

A História Ilustrada do Walkman da SONY - série Sports - ep.20 - 1998: WM-FS473

1998 WM-FS473: Presets Over Performance

The WM-FS473 shifted the focus to radio convenience. A digital synthesizer tuner with deep preset memory and an LCD display pushed radio use to the foreground. The cassette mechanism was conventional, backed by auto-reverse and basic shock protection.

26.3.26

A História Ilustrada do Walkman da SONY - série Sports - ep.19 - 1997: WM-FS499

1997 WM-FS499: The Feature-Complete Sports Walkman

The WM-FS499 shows the Sports Walkman fully settled into its late-90s role. Water resistance, long battery life, auto-reverse, Dolby B, digital tuning, and an LCD clock and stopwatch covered every expectation. Mega Bass gave way to Groove branding, aligning with the era’s lifestyle-sound push. It was also the first Sports Walkman to start incorporating silver accents, a small shift that tracked where late-90s consumer electronics were headed.

25.3.26

A História Ilustrada do Walkman da SONY - série Sports - ep.18 - 1996: WM-FS191

1996 WM-FS191: The Sealed Utility Sports Walkman

The WM-FS191 focused on water and dust resistance over sound extras. Auto-reverse and Mega Bass were dropped, leaving a basic cassette deck with manual radio tuning. Lighter and simpler, it was built to survive more than to impress.